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The album came into being as Norman had a couple of instrumentals that he wanted to record, but spurred on by his producer Gilad Atzmon and his wife Patty the music started to flow. The process was halted by the sudden death of his wife but, slowly, Norman has got his mojo back and now the work is complete. Whilst some tracks are instrumentals, some feature Norman’s vocals or guest singers. Norman asked Peter Blake, who often sketched Blockheads shows, if he could use one and the artist said simply, \"I'll do it\", and created the cover for him.\u003cbr\u003e\u003cbr\u003eThe album ranges from reworked Ian Dury track ‘Billericay Dickie’ to a new version of Wilko Johnson's 'Roxette' (which Wilko performs on), to Jazz-tinged instrumentals. This is a masterclass in bass, but also a great listen. 'Billericay Dickie' opens the album and is followed by a recording of Dury introducing Norman at the last ever show they did at the Palladium; this is where the album title comes from, \"Faith and Grace\" being rhyming slang for Bass. 'Papa-chu-pap' also features a sample of Dury and is in fact a kind of collage of samples taken from live shows.\u003cbr\u003e\u003cbr\u003eThe track 'Norman! Norman!' is built around the riff that triggers the traditional crowd chant at a Blockheads gig [though the 'crowd' featured on the album is actually Chas Jankel, Mickey Gallagher, Wilko and Phillip Bagnall!] but also brings in some flourishes from some of Norman’s most celebrated works, not least 'The Magnificent Seven' by The Clash and 'Relax' by Frankie. Wanting to cover a Wilko track, Norman picked 'Roxette' which his some-time band leader plays on and sings. The reworked track is in half time, with three verses, no solos and some extra horns. \u003cbr\u003e\u003cbr\u003eFull of variety, the album features 'Save It' sung by Sarah Gillespie and based on the reworked bassline from 'Rhythm Stick', whilst Norman's Mexican girlfriends perform the chants on 'Watchu-wa' [essentially Mexican for \"La la la\"]. 'Me, My Bass \u0026amp; I' was intended to feature vocals from Nick Cave [Norman performs at Cave's solo shows] or Robert Wyatt but now features snippets from an interview Gilad did with Norman, whilst 'Moichie Tantrum' features the producer ranting at him! The album closer is a cover of 'My Foolish Heart' which was Patty’s favourite song, and, as Norman says is a nice way to say goodnight. This is an album full of heart, passion and has been crafted with care. \"Faith and Grace\" indeed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. Billericay Dickie \/ 2. John And Mary \/ 3. Wachu-Wa \/ 4. Me, My Bass And I \/ 5. 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New Musical Express at the time of release gave the album a fantastic review and said of him: \"25 years ago he thought America was a festering dunghill of second-hand car salesmen, nothing's happened since to change his mind…Kramer's maintained…his revolutionary '60s fervour; and his music's all the better because of it…\"\u003c\/p\u003e\n\u003cp\u003eTracklisting: 1. Dangerous Madness \/ 2. Back To Detroit \/ 3. Wild America \/ 4. Something Broken In The Promised Land \/ 5. Take Exit 97 \/ 6. God's Worst Nightmare \/ 7. The Boys Got That Look In Their Eyes \/ 8. A Dead Man's Vest \/ 9. It's Never Enough \/ 10. The Rats Of Illusion \/ 11. Dead Movie Stars. Bonus Audio Track: 12. Steel Rails. Bonus Video Track: 13. 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Much wilder than the Stones, along the way The Pretty Things created some memorable moments: jailed for possession of a 12 guage shotgun, banned (still) from Australia \u0026amp; New Zealand, originators of the world's first rock opera - SF SORROW, (recorded alongside SGT PEPPER'S and the Floyd's PIPER AT THE GATES OF DAWN, in Abbey Road), recorded PARACHUTE - Rolling Stone Magazine's first 1970's Record of the Year, and were the first signing to Led Zeppelin's seminal Swan Song label to name but a few. In 2006, The Dirty Pretty Things pay homage by 'borrowing' their name.\u003cbr\u003eAnd now, in this - their 11th studio album - The Pretties have opened their deepest vein with BALBOA ISLAND. The power, intensity, depth and passion of this record is unsurpassed by any of their contemporaries. The Stones, Van, The Who - none of the class of '64 has enough gas left in the tank to make a record like this. 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This all-original album, with eight of the ten tracks written by Siegal, starts in familiar Siegal territory but then broadens to cover his love of all things Americana, resulting in his most exciting and perhaps most commercial release to date.\u003c\/p\u003e","brand":"Cadiz Music","offers":[{"title":"Default Title","offer_id":14347270684727,"sku":"NUG902","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1673\/2759\/products\/nug902.jpg?v=1563275497"},{"product_id":"ian-siegal-all-the-rage-cd","title":"Ian Siegal - All The Rage - CD","description":"\u003cp\u003e2018\u003c\/p\u003e\n\u003cp\u003eIt's been six years since multi-award winner Ian Siegal last released a studio album with a band. The intervening years have been busy with solo projects and live recordings. 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